More than any other campaign artifact, “George W. Bush: Faith in the White House” [a new DVD] clarifies the hard-knuckles rationale of the president’s vote-for-me-or-face-Armageddon re-election message. It transforms the president that the Democrats deride as a “fortunate son” of privilege into a prodigal son with the “moral clarity of an old-fashioned biblical prophet.” Its Bush is not merely a sincere man of faith but God’s essential and irreplaceable warrior on Earth. The stations of his cross are burnished into cinematic fable: the misspent youth, the hard drinking (a thirst that came from “a throat full of Texas dust”), the fateful 40th-birthday hangover in Colorado Springs, the walk on the beach with Billy Graham. A towheaded child actor bathed in the golden light of an off-camera halo re-enacts the young George comforting his mom after the death of his sister; it’s a parable anticipating the future president’s miraculous ability to comfort us all after 9/11. An older Bush impersonator is seen rebuffing a sexual come-on from a fellow Bush-Quayle campaign worker hovering by a Xerox machine in 1988; it’s an effort to imbue our born-again savior with retroactive chastity. As for the actual president, he is shown with a flag for a backdrop in a split-screen tableau with Jesus. The message isn’t subtle: they were separated at birth.
“Faith in the White House” purports to be the product of “independent research,” uncoordinated with the Bush-Cheney campaign. But many of its talking heads are official or unofficial administration associates or sycophants. …
“Will George W. Bush be allowed to finish the battle against the forces of evil that threaten our very existence?” … “I think we went into Iraq not so much because there were weapons of mass destruction,” Mr. [Stephen] Mansfield [the author of one of the movie’s source texts, “The Faith of George W. Bush”] has explained elsewhere, “but because Bush had concluded that Saddam Hussein was an evildoer” in the battle “between good and evil.” …
The majority of Christian Americans may not agree with this apocalyptic worldview, but there’s a big market for it. A Newsweek poll shows that 17 percent of Americans expect the world to end in their lifetime. To Karl Rove and company, that 17 percent is otherwise known as “the base.” …
The general in charge of tracking down Osama bin Laden, William G. Boykin, has earned cheers in some quarters for giving speeches at churches proclaiming that Mr. Bush is “in the White House because God put him there” to lead the “army of God” against “a guy named Satan.” But all that preaching didn’t get his day job done; he hasn’t snared the guy named Osama he was supposed to bring back “dead or alive.”
“George W. Bush: Faith in the White House” must be seen because it shows how someone like General Boykin can stay in his job even in failure and why Mr. Bush feels divinely entitled to keep his job even as we stand on the cusp of an abyss in Iraq. In this pious but not humble worldview, faith, or at least a certain brand of it, counts more than competence, and a biblical mission, or at least a simplistic, blunderbuss facsimile of one, counts more than the secular goal of waging an effective, focused battle against an enemy as elusive and cunning as terrorists. That no one in this documentary, including its hero, acknowledges any constitutional boundaries between church and state is hardly a surprise. To them, America is a “Christian nation,” period, with no need even for the fig-leaf prefix of “Judeo-.”
Far more startling is the inability of a president or his acolytes to acknowledge any boundary that might separate Mr. Bush’s flawed actions battling “against the forces of evil” from the righteous dictates of God. What that level of hubris might bring in a second term is left to the imagination, and “Faith in the White House” gives the imagination room to run riot about what a 21st-century crusade might look like in the flesh. A documentary conceived as a rebuke to “Fahrenheit 9/11” is nothing if not its unintentional and considerably more nightmarish sequel.
[Thanks, Jas.]
