Tag Archives: dof

When taking photos, move around your subject …

These two photos were taken at about the same time of day. Although they are two different flowers, they are near each other. Neither has been manipulated after taking except for cropping. Compare the effect of the two backgrounds.

move around for different backgrounds

move around for different backgrounds

Move around your subject, if you can. Be mindful of the background. Point and shoot cameras have such a deep depth of field that you may not be able to blur the background to minimize it. Depth of field refers to the area in focus in front of and behind the subject. Shallow depth of field blurs foreground and background to emphasize the subject and minimize distractions. (Although some people find the blur distracting. You can’t please everyone.) With deep depth of field, everything is in focus. However, try moving away and using zoom, and moving in close and using macro – both of these change the depth of field and the area of the background.

A skilled photo editor can do a lot in post production. I prefer to focus on taking photos. Look. See. Move. Take lots of pictures. Show only your best.

Bokeh and DOF

butterfly bokeh

Bokeh is the English spelling of a Japanese word. I pronounce it ‘bowkay.’ Most simply, bokeh refers to the blurring of areas of a photograph. Bokeh is a natural bi-product of depth-of-field (DOF), that aspect of photography that is so very different from vision.

As you move your eyes around the world, everything is always in focus. (For the sake of argument, ignore glasses, exhaustion, alcohol, and coffee.) But cameras have variable depth-of-field (DOF), in which objects some distance from the lens are in focus, but objects closer or farther – outside the DOF – are not in focus / are blurred. That depth – the distance from the lens – can be shallow (more of the foreground/background is likely to be blurred) or deep (more of the scene is likely to be in sharp focus).

Recognizing that all of the settings on a camera are interdependent, aperture – the size of the lens opening — controls depth-of-field. Simply put, with automatic settings, a bright scene is likely to be in focus nearer and farther. As the scene gets darker, automatic settings *may* increase the aperture (open the lens for more light), which reduces the depth-of-field. (The camera *may* instead slow the shutter to give more time for light to enter the lens or adjust the light sensitivity (ISO) of the sensor/chip.) 

You can assert some control over DOF if your camera has Aperture Priority (A or AP on the controls), but your camera may not have true DOF preview — or that may be hard to see — so remember the camera and the eye don’t see exactly the same scene.

Scene settings for Portrait (a head-and-shoulders icon) often reduce the DOF because someone thinks portraits look cooler if everything else is blurry.

Be aware that the macro (close-up) setting (usually a flower icon) has a very shallow depth-of-field. Further, a zoom lens affects DOF, dependent in part on your distance from the subject, as well as the distance between the subject and the background. All of the shots in this entry are zooms. (I think it’s a coincidence that all have yellow and most are flowers.)

Experiment by taking several photos from the same position while changing settings and by moving closer or farther and repeating your play. Move left and right, as well, because that may change the distance between the subject and objects in the background.

yellow flower on dark background

Bokeh and Depth of Field